Diva Challenge #239 - "Munchin Play"

This week the Diva's Challenge is to use Munchin.  an official Zentangle® tangle.  The stepout can be found here, and on the Diva's blog there is a Sakura video showing Molly Hollibaugh drawing the basic version on a black tile.

 I started by going to my journal, and tried drawing it various ways. I tried following the instructions for transforming tangles out lined in Helen Williams' new book, Tangle Transformation. By the way, I am delighted with this book, and recommend it without reservation!

The last variation I tried stayed with the basic construction, but instead of having evenly spaced lines originating at the apex of the triangles, I varied the width between the lines, trying to make each resulting section smaller than the one before it.

I found this more interesting than regular divisions

I settled on the last option. I tried to follow a basic rule: That each line would divide the remaining available space in half. 

Munchin divided with 4 lines into 5 sections, with Flux in the largest section

The rule worked, but I found the large sections too roomy.  I tried adding a tangle inside the largest section of the triangle. That section was created with the first line (line 1 above) that bisected the baseline of the triangle.

I was ready to do a tile.

Munchin with graduated divisions in each triangle. Triangles filled with (spiraling clockwise from upper right) Celtic Triskele, Amaze, Flux, Shattuck, ????, Extracto, Tipple, Bunzo, Drip Drop, ????, Diva Dance Foxtrot, Tripoli, Zenplosion Folds, Mooka

That was OK, but I felt like I could do more. I thought I could divide the tile diagonally into a section filled with a smaller Munchins (still graduated sections) and a single large Munchin triangle  (lower left) with each section filled with another tangle. I even sneaked in a few awkward Paradoxes. Can you spot them? 

Munchin with Mooka, Flux, Snail Tangleation, Shattuck, and Tipple.

Still not happy, not sure why....So I returned to the sketchbook and looked at the versions of Munchin that I drew with curved lines.

Munchin with simple C-curve lines (H.W. refers to Helen Williams, "A Little Lime")

Better.

Munchin with S-Curve lines (mostly)

Still Better! Time to try another tile...

Munchin Monotangle with S-Curves

I don't know if I will ever really like Munchin. I wish I had more time to play with it. I reminds me a little of Aquafleur - beautiful as an object, but challenging to work into a design with other tangles.

Still, it was a good challenge and motivated me to study and to practice a single tangle and try some possibilities. As usual, critiques are welcome!

The long-awaited (NOT!) Mishima post

Mishima is a surface decorating technique for ceramics - kind of a reverse sgrafitto. You can see my post on sgrafitto here. For this technique, the design is incised (scratched) first, while the clay is leather-hard and before a thin underglaze is applied. The underglaze runs into the carved designs. After a little drying, you scrape off the excess clay using a metal rib or a razor blade. 

Darted vase at the leather-hard stage

I incised this one with a freehand version of Helen Williams' tangle, "Curly Bracket Feather." The stepout can be found here. Tangling on a curved object is a whole lot tougher than on a tile or in a journal, let me tell you!

Same vase, incised and painted with three coats of black underglaze

Closeup of the incised and painted design

After the underglaze has dried, the a metal rib is used to scrape away the excess. The underglaze that flowed into the design remains.

Partially scraped vase, with metal rib. Vase is stuffed with plastic so the inside doesn't dry faster than the outside.

Closeup

Here's the vase after scraping and firing (bisqueing) the first time.

Carved vase after bisqueing

I then painted the vase all over with thin coats of blue and yellow underglaze, and bisqued a second time. Then several coats of clear glaze was applied, and the vase put through the final firing.

The finished vase

Here are some more finished Mishima Tiles.

 

This last example is a Mishima tray (the distortion is from the photographic angle). The pattern was carved freehand, and is a variation of "Tumbleweed" by Helen Williams.

Tumbleweed Tray:  Little Loafers clay, black underglaze and clear glaze

I thought the Mishima technique  would be good for fine-lined Zentangle Art. I may end up doing that, or maybe if my sgrafitto technique improves, I will stick with that.

Aren't you glad you waited?

Tackling Tangling Weave

Been a little slow around the ol’ blog lately. We were getting ready for our first Spring trip to Hilton Head Island (have been going in the Fall for years, in January for years before that). In among cleaning, planning and teaching Tai Chi, I snuck in a few procrastination sessions of Zentangle.

This series I called “Tackling Weave.” Helen Williams published the stepout for Weave on her blog, A Little Lime, and I was enchanted by it. First I did Weave in a grid:

Weave on a grid

  

Then I did a gridless free-form version. Clearly, there’s a bit of a learning curve here. I love this pattern, though, and will keep practicing until I’m happy with the process. I say that because Zentangle is a process, not a result. There’s no good or bad, no happy or unhappy with the final tile, just playing.

Weave, no grid

Finally tried putting it into a tile with other tangles.

Random Weave, Akoya

Random Weave, Akoya, Flux, Amaze, Arukas, Bunzo

There will be more practicing Weave, and more tangling in general, once we reach the Island. Oh, and before we left, I ran by the Art Center and put a couple of tangled vessels (vase and a coffee mug) on the bisque shelf. I’m really anxious to see how they turn out.

Next post – Hilton Head